Throwback Thursday: Artist Management Contract Terminology
WRITTEN BY AIDAN RUSH.
There have been enough publicized horror stories of bands signing terrible contracts it’s a surprise bands sign any type of contract at all these days. However, while there is an argument to be had as to whether or not record labels are still necessary, it’s this writer’s opinion that artist managers will always be necessary. That’s not because you, the artist, can’t necessarily navigate your career by yourself, it’s because there just aren’t enough hours in the day for you to get it all done. Yes there are rare examples of independent musicians making a killing by spending 20 hours a day doing it all themselves, but they are the exception that proves the rule. If you ever plan on working with a personal manager (as opposed to a business or tour manager), it would behoove you to familiarize yourself with the basic artist management contract terms defined below!
Landing Musician-For-Hire Gigs with your Presskit
A musician-for-hire is someone who provides a service to an event coordinator, talent buyer, or group of people that caters to the event’s specific needs and generates a notable yearly income.
You know, the guy that’s singing “Don’t Stop Believing” in the background of a picture-perfect wedding reception, or the guy kicking off “Hava Nagila” at the most anticipated Bar Mitzvah of the year. Even the cover band at the coolest bar in town is an example of musicians-for-hire work. There’s plenty of work like this out there for us to make a living from - but how do you set yourself apart from the rest of the bands trying to compete for these kind of gigs?
Well, although there’s no short answer, there are several steps you can take to set yourself ahead of the competition and create a “wow-factor” for yourself. Indulge: